Showing posts with label transformation. Show all posts
Showing posts with label transformation. Show all posts

Sunday, February 9, 2014

7-19. Genesis.

Picard discovers Troi, transformed into an amphibian!
THE PLOT

When a test of Worf's new weapons guidance system results in one of the torpedoes swerving off course, Picard and Data take a shuttlecraft to intercept and disable it. While they are away, crew begins exhibiting strange behavior. Troi complains about the environment controls, finding the ship too dry and too cold. Worf becomes hyper-aggressive. Barclay becomes just plain hyper, working around the clock at full-tilt speed with no sign of fatigue. Riker finds it increasingly hard to concentrate, or even to remember the ship's current assignment. Too late, Dr. Crusher and Nurse Ogawa realize that a disease is spreading through the ship... one that is slowly affecting every member of the crew!

Picard and Data return to find the Enterprise adrift in space with no power. They discover that the entire crew have transformed in various ways; Troi is an amphibian; Riker is a proto-human; Barclay is halfway to becoming a spider; Worf is some strange Klingon creature with an armored hide and an aggressive mating instinct.

They are able to determine that amniotic fluid is the key to curing the virus, and go in search of the conveniently pregnant Nurse Ogawa. But they have only a limited time to find a cure. The disease is airborne - and Picard is already showing signs of infection!


CHARACTERS

Capt. Picard: When Picard begins to "de-evolve," he develops a heightened sense of fear. Patrick Stewart gives Picard a slightly higher pitch to his voice and makes him a little less still and a little more fidgety. Because the process never gets past its initial stages in Picard, we see the man we know struggling to maintain control. When the transformed Worf is battering his way into sickbay, Picard can see that Data - who is working on a cure - is indispensable and that he is expendable in this situation. So he creates a distraction to lead Worf away, despite his terror.

Data: As Picard's faculties start to be affected, Data takes the lead in their investigation. He observes that Spot's newborn kittens were not infected, which provides the vital clue to the cure. He argues against Picard's dangerous plan to lead Worf away from sickbay, but does provide Picard with what he needs to execute that plan. And, as the one crew member immune to the virus, he is in a unique position to save the day. Again.

Worf: Continues to inch toward a relationship with Troi. It seems a bit odd that they would have a dinner date when all their relationship progress occurred in either parallel dimensions or hallucinations. Then again, both Worf and Troi have glimpsed the potential relationship in non-realities, so perhaps by now they have compared notes and decided to give it a try in the real world. Though he ultimately is not "Patient Zero," Worf is the first crew member to be visibly affected. Michael Dorn does a good job of showing Worf's decline. At first, he just seems excessively stressed, then he becomes ridiculously short-tempered and aggressive. When he attacks Troi, he stops, appalled at what he's done... but that is the last time he is able to stop himself. The next time he moves, his mind is basically gone.

Barclay: The opening scene presents Barclay as a hypochondriac, with Dr. Crusher all but treating him like a child while treating him. The fact that she manages to identify a mild illness by the end of that scene in no way stops her from treating him like an idiot. Even after the events of the episode trace the virus back to Crusher being careless with a treatment, the tag scene sees her and Troi basically exchanging eye-rolls over how neurotic Reg is. Why exactly doesn't he want to transfer off this ship? The episode makes less use of Barclay than most previous appearances by him, but Dwight Schultz remains engaging. His scenes both as hyper Barclay and as spider-Barclay are a great deal of fun, largely because of the actor's enthusiasm.


THOUGHTS

"Captain, I believe the crew is de-evolving!"
-Data makes an earnest pronouncement, and actor Brent Spiner somehow manages to keep a straight face.

Genesis is surely one of the silliest episodes of TNG's run. Brannon Braga's script is a dumb premise that exists solely to allow the cast to act in weird ways, all of which is given only the flimsiest justification. It's "science" is straight out of a 1950's "B" movie: De-evolution of humans into amphibians and spiders(!)? The episode might as well have a crew member turn into a crocodile and snap at Picard's heels!

It also spends far too long on setup, with fully half the episode passing before the crew has firm awareness that there even is a ship-wide problem. It should have been restructured in one of two ways: With Picard and Data on the ship throughout, working to stop the infection as it spreads; or with Picard and Data returning to the ship much earlier, with the bulk of the episode focusing on their efforts to resolve the situation. As presented, there is no real mystery, because we spend half the episode watching the disease spread. Picard and Data are able to solve the problem a bit too quickly and easily, because no time is left in the episode for their efforts to encounter serious complications.

Gates McFadden, in her directorial debut, may have gotten lumbered with a ludicrous script, but she makes a good stab at bringing it to life. The dark corridors of the drifting Enterprise of the second half are eerie, the noises of the transformed crew members adding to the atmosphere. Spider-Barclay's abrupt entrance, banging against the glass through which Picard is peering, is a "jump scare" that works, and the makeup job on Dwight Schultz is highly effective (if slightly comical). The chase at the climax, in which the transformed Worf pursues Picard into first the turbolift, then a Jeffries tube, takes care to keep Worf in the shadows to avoid the budget limitations of his costume from ruining the effect. This has the bonus of keeping the focus on Patrick Stewart, acting the heck out of the increasing terror the infected Picard can barely keep in check. I'd love to see another episode directed by McFadden - preferably one with an actual good script.

In a way, this episode feels like the flip-side to Masks. That episode featured Data behaving strangely while the ship transformed around the crew. This episode features everyone except Data behaving strangely, while the crew transforms around the ship. Unlike Masks, there's no sense of anything interesting is struggling to get out. Much of it plays like Braga's first draft for Voyager's infamous Threshold, like he needed a warm-up to figure out what works so that he could be sure to remove those elements from his next try.

In short, it's all dizzyingly dumb... but it's also very watchable.


Overall Rating: 4/10.

Previous Episode: Eye of the Beholder
Next Episode: Journey's End


Search Amazon.com for Star Trek: The Next Generation

Review Index

To receive new review updates, follow me:

On Twitter:

On Threads:

Thursday, September 15, 2011

4-18. Identity Crisis

Geordi and an old friend (Maryann Plunkett) face a horrifying fate.

THE PLOT

When Starfleet officers who were all members of the same Away Team to Tarchannen III begin disappearing, Commander Susan Leitjen (Maryann Plunkett) comes to the Enterprise to warn Geordi. She and Geordi are the only two members of that Away Team still remaining, and her briefing is enough to get Picard to divert the ship to Tarchannen. Once there, Susan begins a terrifying transformation, turning from human to alien, seemingly from the inside out.

As Dr. Crusher works to stop the transformation in sick bay, Geordi reviews the old records of the Away mission. He does find a discrepancy in the visual record... but by the time he is able to really study it, his own transformation has already begun!


CHARACTERS

Capt. Picard: Though this is not a Picard-heavy episode, there is a wonderful scene early on. The Enterprise reaches Tarchannen III just in time to see a shuttlecraft stolen by Hickman, one of the members of the old Away Team. The shuttle is going into the planet's orbit too fast and will surely burn up. The Enterprise is too far away to do anything. Picard desperately tries communicating with the shuttle, telling the pilot exactly what to do to avoid disaster. It recalls a similar scene in which Picard successfully talked a teen boy out of disaster in Coming of Age. Only here he is unsuccessful, left to watch helplessly as the shuttle is destroyed.

Geordi: Apparently developed a little brother/big sister relationship with Leitjen on their old ship. The first half sees those old roles reversed, Geordi becoming protective of her as he insists they will find a way to solve this mystery. After Susan begins changing, faced with the near-certainty that this change will eventually befall him, he takes refuge in the puzzle. He runs the old log again and again, until finally he sees something.

Data: An odd episode for Data. In the first half of the episode, as he studies the records, he reminds us of his own close friendship to Geordi. He observes that he is "strongly motivated" to solve this mystery. A little later, he offers his help to Geordi. Since the plot requires Geordi be alone when the transformation begin, Geordi rebuffs that offer... leaving Data essentially a spare part for the rest of the episode.

Dr. Crusher: More plot device than character, though she does get a larger slice of the action than usual. As Geordi runs a holodeck investigation, she investigates the medical mystery of the transforming Susan. She approaches it methodically, eventually finding the answer. Which isn't a surprise, given that we know Geordi's not going anywhere, but it does at least give her a decent role in this episode.


THOUGHTS

Identity Crisis is a decent episode. Brannon Braga apparently adapted a storyline from another writer, which had the transformation occurring to two guest characters. Braga's decision to focus it on Geordi instead of some Random Redshirt is a good one, and Geordi's refusal to passively wait for the transformation to occur keeps him a dynamic protagonist. It's well-paced, and for more than half its length creates an intriguing puzzle.

But it just doesn't quite come together. I think the use of Susan Leitjen at the end of the show is a misstep. Her transformation in the first half is effective, and serves as incentive for Geordi to solve the mystery before this happens to him. But when she comes back at the end to save Geordi, she is all but transformed into a Mary Sue. I think the story would have been much more effective if Dr. Crusher was unable to save Susan, but learned what she needed to save Geordi... and then let Data - Geordi's good friend since almost the series' very beginning - be the one to "talk him down" at the end. This would pay off Susan's horrible transformation in the episode's first half, while also paying off the scenes that nod to Data's friendship with Geordi. In my opinion, it would be much more effective than having a Too-Good-to-Be-True Guest Character Save the Day.

There's also the sense that Geordi's holodeck investigations don't actually accomplish a heck of a lot. Sure, it's entertaining to watch Geordi puzzle out the stray shadow from the recording. But what is actually gained from this? A better script would have had Geordi's holodeck projections provide some necessary information. As it stands, things would actually have been greatly simplified for our heroes had Geordi simply stayed in sick bay and waited for Dr. Crusher. That's not even mentioning how odd it is that the transformation only occurs now, after the infection has lain dormant in the old Away Team's systems for years. Why now? The episode never even addresses this, probably hoping the audience won't think to ask.

All of this is sounding like an indictment of the episode. I don't mean it to be. I enjoyed watching Identity Crisis. The episode is well-paced, with the first half particularly strong in building tension and atmosphere. The puzzle is intriguing, and Levar Burton is very good - as usual, when given good material to play. It just feels vaguely unfinished, as if it was maybe one or two more drafts away from being a genuinely good piece of television.


Overall Rating: 6/10





Review Index

To receive new review updates, follow me:

On Twitter:

On Threads: