Sunday, February 9, 2014

7-19. Genesis.

Picard discovers Troi, transformed into an amphibian!
THE PLOT

When a test of Worf's new weapons guidance system results in one of the torpedoes swerving off course, Picard and Data take a shuttlecraft to intercept and disable it. While they are away, crew begins exhibiting strange behavior. Troi complains about the environment controls, finding the ship too dry and too cold. Worf becomes hyper-aggressive. Barclay becomes just plain hyper, working around the clock at full-tilt speed with no sign of fatigue. Riker finds it increasingly hard to concentrate, or even to remember the ship's current assignment. Too late, Dr. Crusher and Nurse Ogawa realize that a disease is spreading through the ship... one that is slowly affecting every member of the crew!

Picard and Data return to find the Enterprise adrift in space with no power. They discover that the entire crew have transformed in various ways; Troi is an amphibian; Riker is a proto-human; Barclay is halfway to becoming a spider; Worf is some strange Klingon creature with an armored hide and an aggressive mating instinct.

They are able to determine that amniotic fluid is the key to curing the virus, and go in search of the conveniently pregnant Nurse Ogawa. But they have only a limited time to find a cure. The disease is airborne - and Picard is already showing signs of infection!


CHARACTERS

Capt. Picard: When Picard begins to "de-evolve," he develops a heightened sense of fear. Patrick Stewart gives Picard a slightly higher pitch to his voice and makes him a little less still and a little more fidgety. Because the process never gets past its initial stages in Picard, we see the man we know struggling to maintain control. When the transformed Worf is battering his way into sickbay, Picard can see that Data - who is working on a cure - is indispensable and that he is expendable in this situation. So he creates a distraction to lead Worf away, despite his terror.

Data: As Picard's faculties start to be affected, Data takes the lead in their investigation. He observes that Spot's newborn kittens were not infected, which provides the vital clue to the cure. He argues against Picard's dangerous plan to lead Worf away from sickbay, but does provide Picard with what he needs to execute that plan. And, as the one crew member immune to the virus, he is in a unique position to save the day. Again.

Worf: Continues to inch toward a relationship with Troi. It seems a bit odd that they would have a dinner date when all their relationship progress occurred in either parallel dimensions or hallucinations. Then again, both Worf and Troi have glimpsed the potential relationship in non-realities, so perhaps by now they have compared notes and decided to give it a try in the real world. Though he ultimately is not "Patient Zero," Worf is the first crew member to be visibly affected. Michael Dorn does a good job of showing Worf's decline. At first, he just seems excessively stressed, then he becomes ridiculously short-tempered and aggressive. When he attacks Troi, he stops, appalled at what he's done... but that is the last time he is able to stop himself. The next time he moves, his mind is basically gone.

Barclay: The opening scene presents Barclay as a hypochondriac, with Dr. Crusher all but treating him like a child while treating him. The fact that she manages to identify a mild illness by the end of that scene in no way stops her from treating him like an idiot. Even after the events of the episode trace the virus back to Crusher being careless with a treatment, the tag scene sees her and Troi basically exchanging eye-rolls over how neurotic Reg is. Why exactly doesn't he want to transfer off this ship? The episode makes less use of Barclay than most previous appearances by him, but Dwight Schultz remains engaging. His scenes both as hyper Barclay and as spider-Barclay are a great deal of fun, largely because of the actor's enthusiasm.


THOUGHTS

"Captain, I believe the crew is de-evolving!"
-Data makes an earnest pronouncement, and actor Brent Spiner somehow manages to keep a straight face.

Genesis is surely one of the silliest episodes of TNG's run. Brannon Braga's script is a dumb premise that exists solely to allow the cast to act in weird ways, all of which is given only the flimsiest justification. It's "science" is straight out of a 1950's "B" movie: De-evolution of humans into amphibians and spiders(!)? The episode might as well have a crew member turn into a crocodile and snap at Picard's heels!

It also spends far too long on setup, with fully half the episode passing before the crew has firm awareness that there even is a ship-wide problem. It should have been restructured in one of two ways: With Picard and Data on the ship throughout, working to stop the infection as it spreads; or with Picard and Data returning to the ship much earlier, with the bulk of the episode focusing on their efforts to resolve the situation. As presented, there is no real mystery, because we spend half the episode watching the disease spread. Picard and Data are able to solve the problem a bit too quickly and easily, because no time is left in the episode for their efforts to encounter serious complications.

Gates McFadden, in her directorial debut, may have gotten lumbered with a ludicrous script, but she makes a good stab at bringing it to life. The dark corridors of the drifting Enterprise of the second half are eerie, the noises of the transformed crew members adding to the atmosphere. Spider-Barclay's abrupt entrance, banging against the glass through which Picard is peering, is a "jump scare" that works, and the makeup job on Dwight Schultz is highly effective (if slightly comical). The chase at the climax, in which the transformed Worf pursues Picard into first the turbolift, then a Jeffries tube, takes care to keep Worf in the shadows to avoid the budget limitations of his costume from ruining the effect. This has the bonus of keeping the focus on Patrick Stewart, acting the heck out of the increasing terror the infected Picard can barely keep in check. I'd love to see another episode directed by McFadden - preferably one with an actual good script.

In a way, this episode feels like the flip-side to Masks. That episode featured Data behaving strangely while the ship transformed around the crew. This episode features everyone except Data behaving strangely, while the crew transforms around the ship. Unlike Masks, there's no sense of anything interesting is struggling to get out. Much of it plays like Braga's first draft for Voyager's infamous Threshold, like he needed a warm-up to figure out what works so that he could be sure to remove those elements from his next try.

In short, it's all dizzyingly dumb... but it's also very watchable.


Overall Rating: 4/10.

Previous Episode: Eye of the Beholder
Next Episode: Journey's End


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