Showing posts with label Traveler. Show all posts
Showing posts with label Traveler. Show all posts

Sunday, March 2, 2014

7-20. Journey's End.

Wesley undergoes a Vision Quest.

THE PLOT

A new treaty with the Cardassians has left several Federation colonies in Cardassian space - including a Native American tribe that lives on Dorvan V. Picard's orders are to relocate the tribe using "any means necessary."

Negotiations with Anthwara (Ned Romero), the tribe's leader, do not go well. Anthwara states that this world is their home, and that he has no interest in finding another. Efforts are further complicated when a Cardassian survey team led by Gul Evek (Richard Poe) arrives. Evek wonders why Picard needs to negotiate at all when the treaty has already settled all this, and his soldiers' heavy-handed presence sparks new tension among the colonists, threatening to reignite the very conflict the treaty was meant to officially end.

Meanwhile, Wesley Crusher visits the ship while on leave from the Academy. His mother and Geordi are eager to spend time with him. But Wesley is sullen and snappish, responding with exaggerated irritation to all attempts at conversation. When Wesley visits the planet, Lakanta (Tom Jackson), a tribal mystic, leads him on a "vision quest" that makes him discover that his disillusionment is because he is on the wrong path - leading him to a decision to resign from Starfleet Academy!


CHARACTERS

Capt. Picard: His inclinations toward peace making are shown at the very start, when Admiral Nechayev (Natalia Nogulich) comes aboard. Picard resolves to diffuse the tension that has marked their previous interactions by laying out a snack tray that includes her favorite canapes. She responds to this gesture, and is clearly pained at having to give what she knows are terrible orders. Picard, to his credit, does not blame her for the assignment and makes sure that she knows this. This side of Picard, the patient diplomat, is on display throughout the episode. His solution is an imperfect one and he knows it, but his victory is that he manages to uphold his duty and avoid starting a new war, even if the colony will end up suffering more in the long-term than if they had simply allowed themselves to be relocated.

Dr. Crusher: Is bewildered by Wesley's sullen behavior, and tries to enlist Picard to snap him out of it. When Picard replies that Wesley will need to work through his issues on his own, she bows to his judgment, but her worry is clear. In a conversation with Wesley, she reveals fear that she pushed him too hard to be what was expected. She accepts his decision at the episode's end, but does not do so happily.

Cardassians: Gul Evek, who would later be seen in Deep Space 9's The Maquis, leads the Cardassian team that intrudes on Picard's negotiations. Evek initially comes across as the Cardassian stormtrooper seen in his DS9 and Voyager appearances. He is not immune to Picard's reasoned pleas for peace, however. He has too much first-hand knowledge of how much the war cost both sides to want hostilities to resume. In his willingness to listen to Picard, he shows that the Cardassian military is not simply made up of mindless automatons... Though his initial tactics show why Picard's solution at the end of this episode never had any chance of long-term success.


SHUT UP, WESLEY!

After the enormous strides made with the character in previous appearances, most notably The First Duty, this isn't so much a step backward as a giant leap. Adding to the disappointment is that this script is from First Duty co-writer Ronald D. Moore, who had previously done such a good job of making Wesley into a relatable human being. Here, he comes onto the ship acting like a bratty teenager. Then he allows himelf to be led by the nose by Lakanta to discover that he doesn't really belong in Starfleet after all. Never mind the years of episodes showing that Wesley genuinely loved being a part of Starfleet - It turns out that was just him doing what was expected of him. So he rebels by... doing what the Traveler (Eric Menyuk) said he should way back in Where No One Has Gone Before, right down to agreeing to have the Traveler guide him in his new studies.


THOUGHTS

Journey's End can lay claim to being an important episode for the franchise. It is the last real appearance of Wesley Crusher (discounting a throwaway cameo in Star Trek: Nemesis). It establishes the Federation/Cardassian treaty that would be so effectively followed up by The Maquis. And with a story that draws deliberate parallels to the forced resettlement of Native American tribes in the 19th century, it draws on the kind of historical/social fabric that has fueled many good and even great Star Trek episodes.

Journey's End is not a good episode.

The episode has many potentially interesting ingredients: The tying of up Wesley's "Traveler" storyline, and making that work with his Starfleet Academy arc by showing his disillusionment with that life (likely in part a reaction to the events of The First Duty); Picard's negotiations with Anthwara, and the revelation of heinous acts against Native American tribes by one of his own ancestors; the dispute with the Cardassians over how to resolve the impasse, and Picard's own ultimate solution. There's plenty here to make for a worthwhile episode.

Which is part of the problem: There's too much. The Wesley material never feels like an organic part of this episode. Tying up his storyline should have been a show in itself - It's not like Season Seven hasn't offered up some expendable storylines that could have made way for it! This episode reduces his story to a hastily-executed "B" plot, making it more of a distraction than anything else.

I will say that the scenes between Picard and Anthwara work well, in large part thanks to the performances and sheer screen presence of Patrick Stewart and Ned Romero. I also enjoyed Picard's interactions with Gul Evek, which provided new background on the Federation/Cardassian War by showing in Evek's final decision that it was a conflict that scarred both sides. The heavy-handed manner of the Cardassians, and the violent way in which the colonists react to them, sews the seeds of the entire Maquis storyline - something that was clearly deliberately done, given that The Maquis aired less than a month after this episode.

Unfortunately, as has been true of almost every Trek treatment of Native American culture, the colony is portrayed in broad and mystical terms. The tribe is mystical and the land speaks to them and they have deep wisdom to share with any white man who wants to be Kevin Costner in Dances with WolvesVoyager co-creator Jeri Taylor evidently intended that Chakotay came from this colony, and it's easy to see echoes of Chakotay's most tedious traits in the condescending way in which this tribe of "magic Indians" are treated. They aren't really individuals - They are stereotypes, with only Ned Romero managing to lend a bit of stature to the weak material.

I will say that Journey's End is far from the worst of TNG's disappointing final season. It is at least trying, and there are some good scenes and elements. But this is an "off day" for writer Ronald D. Moore, who is capable of so much better, and yet another weak episode in the increasingly long string of weak episodes that is bringing this show to its end.


Overall Rating: 4/10.

Previous Episode: Genesis
Next Episode: Firstborn


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Saturday, July 9, 2011

4-05. Remember Me

Picard and Dr. Crusher share a moment.

THE PLOT

The Enterprise docks at a starbase for a routine crew rotation and takes on board a passenger: Dr. Quaice (Bill Erwin), an old friend of Dr. Crusher's who is retiring after the death of his wife. After delivering Quaice to his quarters, Beverly stops by engineering to look in on Wesley, who is running an experiment involving Dr. Kocsinski's failed warp theories. Wesley's experiment also is a failure... a disastrous one!

After the experiment, Beverly is unable to find Dr. Quaice. At first, she worries that the old man may have had a bad fall. But there is no record of him ever having coming aboard, nor does anyone else on the ship remember him. In fact, Starfleet records indicate he does not exist! Picard begins a thorough investigation, but then the effect spreads further. Dr. Crusher's staff disappears, and she is told that she never had a staff. She is told that the Enterprise - a ship with more than a thousand people aboard - only has a total complement of just over 200. 200, and shrinking rapidly...


CHARACTERS

Capt. Picard: "Your word has always been good enough for me," he says with a reassuring smile. It is refreshing to see Picard immediately order the ship turned back to Starbase when Dr. Crusher tells her story. Picard knows and trusts Beverly, and does everything in his power to properly investigate her claims. It is only as reality continues to shift that he begins to treat her differently and, even then, his core thoughtfulness emerges.

Dr. Crusher: A Beverly-centric episode is usually not good news. Some of the blandest episodes of Season Three were the ones focused on her, and while her performance is generally adequate, it's fair to say that Gates McFadden is not exactly the strongest link in this cast. This script, however, carefully stays within McFadden's acting range, challenging her just enough for her to rise to the material without pushing past what she's actually able to do as an actress. It also effectively allies us with her, sticking firmly to her point of view for most of the show's run. Scenes in which she applies scientific reasoning to her situation - diagnosing it as if it were a disease - are particularly good, as is the scene between Beverly and Picard just past the episode's midpoint, as she surrenders to her own inability to convince him and simply sits and talks with him for the short while that she has the chance.

Wesley: Endangers the ship with his science experiment, which probably should merit a "Shut Up, Wesley." But even though he creates the problem of the episode, he doesn't annoy while doing so. Well, maybe a little at the start, when he ignores Geordi's calls to pull the plug on his experiment so that the ship can go about its business. But this fits with Wesley's age, as his reaction is exactly what you would expect of a teenager being asked to turn off his video game ("Just one more level, mom!"). Wesley doesn't believe his mother as the disappearances become ever more severe, but he still is sympathetic toward her. He even offers up useful advice regarding the Traveler. Really, a pretty good Wesley episode, and the interactions between the two characters and actors are quite well-played.


THOUGHTS

Season Four appears to be the year for following up on some of the better first season episodes. First Brothers provides a sequel to Datalore, and now this episode[ follows up on the characters and plot elements of Where No One Has Gone Before. There's even a return appearance by The Traveler (Eric Menyuk), although this time the episode is not built around him.

Like Brothers, this episode follows up on one of the series' early successes without trying to replicate the earlier episode. There is a hint of the surreal here, as there was in Where No One Has Gone Before. But the situation and atmosphere are completely different, and the plot progresses in a very different manner. The earlier episode was more dreamlike, while this is more like a nightmare horror film. There's also an emotional maturity here that was absent from the earlier episode, though that is simply a natural consequence of the show having matured and the characters having deepened during the three intervening years.

The episode does have a twist, one that's easy enough to see coming but is still well-executed. It fits with everything we've seen (particularly if you go back and re-watch the teaser afterward), and is tidily explained without the explanation being cumbersome. The twist also works because it is delivered at just the right moment: Late enough in the episode to allow the situation to develop, but with enough time left in the episode for its ramifications to be dealt with.

With good character bits for Picard, Beverly, and Wesley, as well as some decent interaction among the supporting cast, Remember Me is a good episode. It's not a "big" episode, and it's hardly one to sear itself into the memory, but as an entertaining and effectively atmospheric science fiction puzzle, it works.


Overall Rating: 7/10




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Friday, August 27, 2010

1-6. Where No One Has Gone Before

THE PLOT

The Enterprise is ordered to take on board Kosinski (guest star Stanley Kamel), an engineer, to perform an upgrade on the ship's warp drive. Riker and the ship's chief engineer are dubious about Kosinski's upgrades, which on paper appear meaningless. However, the man has successfully improved the efficiency of two other starships, and is arrogantly confident he can do the same for Enterprise.

When the experiment goes into effect, however, there are unintended consequences. The Enterprise shoots to speeds that are off the scale, ending up in a galaxy that, on maximum warp, should take 300 years to reach! Kosinski's attempt to return them home has even worse effects, as the Enterprise finds itself on the outer rim of the universe, in a place where thought and reality merge.


CHARACTERS

Capt. Picard:
Actually manages to be of some use in his own show, for what just might be the first time since Encounter at Farpoint. Though he is dubious about Riker's suspicions of Kosinski, he is willing to back Riker up if the first officer decides not to let the engineer go ahead. He also does not allow Kosinski to treat Riker without due respect; when Kosinski says, "Come along, Riker," Picard barks at him, "Commander Riker!" Upon realizing the danger of the thought/reality merging at the edge of the universe, he lets his crew know what is occurring, and does his best to get them to keep their thoughts in control. The best showing yet for the captain, and probably not coincidentally the first time Picard actually works as a character in his own right, rather than simply being carried by Patrick Stewart's talent and screen presence.

Riker: Once again, the first one to suspect Kosinski is a fraud. The first one to listen to Wesley (albeit a bit late) and notice that Kosinski's assistant, "The Traveler," is more than he seems. At least he doesn't seem like the lead this time, but I'm really getting ready for Riker to be wrong about something in one of these episodes.

Data: Ironically for an emotionless android, Data seems particularly intrigued by the possibilities of exploration and scientific discovery on their first "hop." He then becomes all but invisible after "hop #2."

Pompous Space Bureaucrat of the Week: The late Stanley Kamel is terrific as Kosinski, the engineer whose faith in his own genius leads him to be downright obnoxious to everyone he encounters. The character isn't a million miles removed from the obnoxious space bureaucrats who plagued Kirk on a regular basis in TOS. Still, Kamel does a good job of conveying a certain insecurity and doubt in his eyes, even before the character drops the bluster, indicating that Kosinski's arrogance is there in part to cover up his own doubts about his so-called "genius."


IT'S TIME FOR... BRATS IN SPAAACE!

It would have to be a Wesley-heavy episode, wouldn't it?

Here, we discover that Wesley is not only a child prodigy, but that he is essentially the next stage of humanity's evolution - as Mozart was with music, the Traveler tells us (while supposedly talking to Picard), Wesley is with science and engineering. So Picard goes and makes him an Acting Ensign so that Wesley can come onto the bridge anytime he wants to. Oh, joy. A combination teen genius and Mary Sue... just what every show needs to really succeed.


THOUGHTS

Despite my dislike of the "revelations" about Wesley, Where No One Has Gone Before manages to deliver something I had all but given up on seeing, or at least on seeing before Diana Muldaur's brief tenure on the show: a genuinely good TNG episode.

In contrast to the slow-paced Code of Honor and Last Outpost, this episode moves along quite quickly. The scenario is established in the first few minutes: an upgrade that Riker doesn't trust, and an alien assistant that Troi cannot read (big surprise, Troi is unable to read anything that might actually be useful). Wesley and the alien bond - essential for the plot - and then the experiment goes into effect. By the first commercial break, the ship has traveled to another galaxy in a whir of special effects that I recall being dazzled by in 1987... and that still convey an effective sense of otherworldliness, even if they have dated. We sit around in this situation just long enough for the audience to absorb what has happened... and then the second "hop" occurs, raising the threat and weirdness thresholds substantially.

It's a good, tight script, co-written by frequent Trek novelist Diane Duane, one that understands the need to keep raising the stakes to keep the audience involved. Decent bits are provided for several of the regulars, too: Data's appreciation of the opportunity for exploration; Worf's vision of his pet Targ; the brief glimpse of Tasha, on her hellish homeworld, complete with scars just under her collarbone; even Picard's vision of his grandmother. Nothing's dwelled on long enough to slow down the pace, but many opportunities for future character development are provided.

This is the episode to really hint that this show might actually manage to deliver something worthwhile. Encounter at Farpoint was a promising pilot, but with distinct flaws in its pacing. Each episode since has managed to be worse than the one before. This episode turns that around in a big way, and makes me hopeful for future installments.

Which, of course, means that the next one will almost certainly be a return to mediocrity and/or awfulness.


Rating: 8/10.

Previous Episode: The Last Outpost
Next Episode: Lonely Among Us


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