Showing posts with label Maurice Hurley. Show all posts
Showing posts with label Maurice Hurley. Show all posts

Sunday, February 26, 2012

5-15. Power Play


A hostage situation on the Enterprise!

THE PLOT

An ancient distress call from the Essex, a 200-years-lost Deadalus-class starship, leads the Enterprise to an M-class moon. Storms surrounding the moon make transport unsafe, so Riker, Data, and Troi take a shuttle to the surface. When the intensity of the storm causes them to crash, some improvisation on Chief O'Brien's part allows him to transport down to boost the signal, so that they can all transport up again - but not before an electromagnetic strike leaves the entire landing party unconscious.

They wake up in Sickbay, apparently unharmed save for Riker's easily mended broken arm. Everything seems back to normal until they return to the bridge. Then Data, Troi, and O'Brien make a sudden and almost successful attempt to take control of the ship. They are thwarted, but evade capture and manage to take hostages in Ten Forward. Then the aliens who have taken control of these three bodies make their demand: Take the ship to the moon's southern pole, or hostages will die!


CHARACTERS

Capt. Picard: Maintains his cool in the presence of the alien invaders. I suppose once you've been assimilated by the Borg, a few standard body snatchers are less than terrifying. He is courteous at all times to the aliens, but doesn't believe their story about being the disembodied Essex crew for a heartbeat. As he observes to Worf, if these truly were Starfleet officers, he would expect far better behavior from them. He doesn't hesitate to give himself up as a hostage in exchange for medical care for the wounded. He also promises Riker to provide "an opportunity" - a promise he makes good on at the end.

Riker: Saved from alien possession by a broken arm, in one of the bits of story logic it's best to just squint at. This allows him to take command once Picard joins the hostages. He coordinates the efforts to neutralize the invaders. He also knows the Enterprise about as well as Picard does, and quickly recognizes Picard's plan at the end when it goes into effect.

Troi: Is possessed by the leader of the three entities, which allows Marina Sirtis to break away from her usual touchy-feely persona. This entity is ruthless and extremely intelligent - a cold-blooded counterpart to Picard. Sirtis' performance is quite good, and the episode showcases just how much the Troi part has stifled her own acting talents.

Data: Brent Spiner indulges his hammier side, playing the most violent of the three alien entities. Spiner always seems to enjoy playing villains, throwing himself into it with glee. By this point in the series, though, we've already seen him trot out his "psycho villain" routine on multiple occasions. The novelty value just isn't there anymore, and his performance ends up being the least interesting of the three "possessed" crew members'.

O'Brien: While Spiner simply taps into his inner ham, sneering like a silent movie villain who's been granted the power of speech, Colm Meaney provides the episode with a far more disturbing presence. The entity who has taken over O'Brien taps into O'Brien's love for Keiko and responds by gravitating toward her throughout the hostage crisis. He selects her as his victim if he is called upon to kill someone. He also keeps talking to her about O'Brien's memories of her, and at one point goes in for a kiss, ignoring the frightened woman's cries to stop. Meaney doesn't overact these scenes, which makes him more frightening, despite having less to do than the other two.


THOUGHTS

I note a story credit for long-departed TNG story editor Maurice Hurley. Things I've read about Hurley and the production team leave me doubting that this was a pitch he made to the show he had left years earlier. This was more likely a leftover Hurley concept, radically reworked by the current writing staff to suit the show in its current (much improved) form.

Power Play melds the Star Trek standby of having regulars' bodies taken over by aliens with the all-purpose television standby of the hostage episode. The results certainly won't win awards for originality. But originality matters less than entertainment value, and this episode is very entertaining. I particularly enjoy seeing the "chess match" between the Enterprise crew and the entities. Riker and Geordi take steps to neutralize the invaders. Then they tap the knowledge of the people they've possessed to counter those moves. It's well-structured and easy to follow at every turn.

The "ghost story" aspect never really works. It actually would have been a good twist had the aliens been telling the truth, given that neither Picard nor we actually believe them. Since they are lying (as expected), it just results in a few throwaway lines that neither add nor detract. The only interesting thing to come of this cover story is another look at Worf's superstitious nature, as he is far more prepared to believe in spirits than Picard is.

In the end, this is a case of rapid pace, strong production values, and a tight script overcoming a lack of originality. There isn't a single surprise in this piece. It really is a stock episode. But it's a good stock episode, and as such merits a solid rating.


Overall Rating: 7/10.




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Saturday, February 5, 2011

2-22. Shades of Gray

THE PLOT

Riker and Geordi are on an Away mission to an unexplored planet, when Riker is jabbed in the leg by something unknown. Dr. Pulaski determines that whatever stung Riker, "it left something behind." A microorganism, rapidly reproducing along Riker's nervous system, moving toward his brain.

Pulaski works tirelessly, but cannot find a way to neutralize the organism before it reaches Riker's brain. The only way she can keep him alive is to stimulate his brain directly with electrical impulses. This results in the unconscious Riker reliving images from his past - images which ultimately may prove to be the key to saving him!


CHARACTERS

Capt. Picard: Present.

Riker: His first reaction to being jabbed by an unknown entity on a swamplike alien world is to... shrug it off and insist he's fine? Apparently, he is unfamiliar with the word "infection," and needs a remedial course in basic health and safety protocols. He tries to set an example for the crew, even as he is dying, by making nonstop jokes. When Troi appears and starts babbling about his feelings and how he's her "Imzadi," he wisely collapses into unconsciousness.

Troi: Marina Sirtis deals with the horrible material she's given by overacting every line to its fullest camp potential. She stands by Riker's bedside, wailing like a banshee to take us in and out of every set of clips. Sirtis hasn't been this bad since early Season One, so I find myself blaming the material more than her for this lapse.

Dr. Pulaski: Any doubts that Diana Muldaur is a far better actress than Gates McFadden should be erased by an episode that puts clips of both of them side-by-side. Dr. Crusher is staggeringly bland and flat in her line readings, while the early scenes of this episode proper and the clips of some of Pulaski's appearances show Muldaur putting a lot more nonverbal beats and character tics into even very similarly-scripted scenes. Not that Muldaur comes out of this episode unscathed. Once the "clip show" phase of the episode begins, she allows Sirtis to carry her along into the overacting, resulting in some unintentional comedy... though not enough of it to redeem this mess.


THOUGHTS

An overspend on Q Who? combined with the writer's strike to leave the show with little money and minimal production time at the end of the season. The solution? A time-honored method of dealing with low funds: a clip show! To the best of my knowledge, the only traditional clip show ever seen in Star Trek.  I'd say The Menagerie doesn't count, as The Cage had not previously been broadcast and was therefore all new to viewers of the time.

In the late 1980's season finales were still basically "just another episode." There was the odd exception ("Who shot J. R.?"), but the tradition of the season finale being something BIG didn't really take hold until the 1990's. One of the key season enders in creating the tradition of the "big" season finale was actually this series' third season ender. "Locutus of Borg" is one of a handful of Star Trek: The Next Generation moments that the casual man on the street (at least, over the age of 30) is almost guaranteed to remember, because it did generate mainstream conversation.

But this is one year before that, when the last episode of the season was produced on the pocket change that Gene Roddenberry, Rick Berman, and Maurice Hurley could find underneath their respective sofa cushions. The first season finale was weak.  This one is absolutely wretched.

I'd question some of the clip choices. All right, even though it was a badly-shot scene in a terrible episode, obviously Tasha's death is going to go in there. But the Playboy Planet in Justice? The first-ever holodeck scene? Anything with Wesley, or anything at all from Angel One or The Last Outpost? These aren't exactly the series' highlights. They're recycling many of the blandest scenes from the weakest episodes! What are the producers trying to do, make the original material in Shades of Gray look good by comparison?

Oh, and apparently negative emotions, such as fear and anything that kicks in the survival instinct, will drive back the infection. So upon learning that he's dying, Riker throws off the infection instantly, right? I mean, surely his survival instinct would kick in and drive back the infection? No - apparently not. I guess when Troi comes in and starts lecturing him about what he's feeling, it saps his will to live. Actually, I can sort of see that.

An episode which starts off badly, and then gets worse as it goes. A clip show that insists on showing mostly bad clips from bad episodes. Bits from Angel One, The Last Outpost, and Up the Long Ladder? Check. Bits from Q Who? or The Measure of a Man? Strangely absent. That's not even mentioning that these clips are supposedly Riker's memories, which makes it odd that an extended clip from Heart of Glory is shown in which there are many cutaways to scenes Riker was not present for!

Meanwhile, in the main plot, stopping the infection's growth magically eradicates it instantly, with no lingering side effects. Yay!

To summarize: It's bad. A particularly bad capper to a mostly pretty bad final six episodes. I'm half-surprised the viewers returned for Season Three.


Rating: 2/10.

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