Showing posts with label Dixon Hill. Show all posts
Showing posts with label Dixon Hill. Show all posts

Sunday, August 21, 2011

4-14. Clues


Is Data malfunctioning?

THE PLOT

The Enterprise deviates from its course to investigate an apparent Class M planet near a nebula. But a nearby unstable wormhole creates a disruption which hurls the ship a full day from its previous position, and which knocks out the entire crew for 30 seconds... the entire crew except for Data.

Upon awakening, they discover that the planet is not Class M at all, and that sensors had apparently been disrupted by the wormhole. Picard acknowledges that it's a "minor mystery... (but) one that has been solved to (his) satisfaction." The mystery deepens, however, when Dr. Crusher comes to Picard with an experiment she was running on some moss spores. Data insists they were unconscious for only thirty seconds. But the moss shows a full day's growth!

Further investigation shows that the ship's chronometer was interfered with. The culprit? Data.


CHARACTERS

Capt. Picard: Somebody, please tell Patrick Stewart not to do fake "Bogart/Cagney" speech in his Dixon Hill scenes. It's much more enjoyable to see him playing Picard as Dixon Hill, rather than doing a poor man's Humphrey Bogart as Dixon Hill. With the exception of that opening scene, Stewart continues to be in outstanding form. At first, the innate trust Picard has developed for Data leads him to accept the android's explanations about the minor mysteries without question. As the mysteries deepen, however, he cannot ignore the evidence. When Data will not reveal the truth, Picard decides to force the issue by doing the one thing Data most opposes - returning to the planet.

Data: Another good showing for Brent Spiner's Data. The thing that really makes Data's evident deception so unsettling is that he doesn't behave at all abnormally. He is still unfailingly polite, even when regretfully telling Geordi or Picard that he cannot answer their questions. The episode's best scene sees Picard directly interrogating Data. Save for refusing to answer Picard's questions, Data is unfailingly honest, which is very effective when Picard asks him what Data would think in the captain's shoes. Most viewers will guess the direct cause of Data's actions (namely, who it was who gave the order) long before it is revealed on-screen, but that doesn't diminish the impact of seeing Data at odds with the crew while still being entirely himself.

Dr. Crusher: Her connection wtih Picard makes her a strong choice to bring the first substantial evidence that they were out for longer than 30 seconds - "a lot longer" - to Picard's attention. She is someone Picard will listen to, and maybe the only person on the ship at this point who has as much of his trust as Data has earned. She also discovers the evidence that the crew must actually have been conscious during the missing time.

Troi: Troi's empathic abilities are drawn upon again, as she experiences dizziness and hallucinations as a result of whatever occurred. This time, though, she is well-used, her predicament not only adding to the mysteries surrounding the lost day but also providing a sense that one of the regular's personal well-being has been affected. I am left wondering, at the end, how they are going to prevent a recurrence of Troi's issues... but that's probably best not lingered on. In any case, this is one of Marina Sirtis' more effective performances this season.


THOUGHTS

Clues was probably a rather inexpensive episode to make. Save for the holodeck scene at the beginning, the entire episode uses standing sets only, and most of its guest stars are members of the recurring cast who were probably already under contract. It has all the earmarks of a budget-saver.

It is also an excellent episode, one of many in what's shaped up to be a very good season.

The strongest element of the episode is the relationship between Picard and Data. Picard trusts Data, and it shakes him to see that trust worn away by fact after fact. The scenes with just these two characters are particularly good, with Picard trying multiple times to give Data an "out," only to see the android respond by stating - quite honestly and directly - that he cannot answer Picard's questions, not even to confirm or deny the captain's suppositions. The reason why isn't hard to guess, but in a way that makes it all the more effective to see Data put so firmly on the spot.

The story is extremely well-paced, the script having enough confidence in itself to allow the mysteries to escalate gradually. It also makes good use of the ensemble. Compare this to Devil's Due. That episode had strong roles for Picard and Data, a passable supporting role for Geordi, and virtually nothing for the rest of the cast. This episode gives moments to everybody: Dr. Crusher, finding some of the more damning bits of evidence against Data; Geordi, confirming that Data altered the ship's systems; Troi, dealing with her hallucinations; Worf, suffering a broken wrist. Riker probably gets the least to do, but he is a constant presence, supporting Picard and seeming increasingly distrustful of Data (almost from the beginning). Everyone is actually a full character in this episode - a relatively rare feat, for TNG!

With typically confident direction by Les Landau, and a nicely-conveyed sense of paranoia creating some decent atmosphere, this is a very strong "little" episode. It was probably a budget-saver. But as was the case with some of TOS' bottle shows, sometimes the best stories are the ones that have the fewest extra resources to rely on.


Overall Rating: 9/10





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Sunday, January 23, 2011

2-19. Manhunt

Lwaxana Troi is in heat. Which is different from any other episode featuring the character... how, exactly?


THE PLOT

The Enterprise is escorting representatives of the alien Antedeans to a conference on a distant planet. Having watched Samaritan Snare and Up the Long Ladder back-to-back, the aliens arrive already in a comatose state. This saves them from the tedium of this episode, at least. As the ship gets underway, they are hailed by an approaching vessel. They have one more ambassador to escort: Troi's mother, Lwaxana (Majel Barrett).

Lwaxana is going through a phase, a period that all Betazoid women experience in mid-life, in which her sex drive increases radically. She has decided to focus all her energy on one man, who will, according to Betazoid tradition, eventually become her husband. The man in question? Captain Picard.


CHARACTERS

Capt. Picard: Deflects Lwaxana's advances by calling in the heavy artillery - Data, who proceeds to act as a fifth wheel in their private dinner, telling "anecdotes" of stultifying boredom until Lwaxana finally gives up for the night. Then Picard decides to deal with Lwaxana's unwelcome advances like a real man: He runs and hides, playing private detective in the holodeck. Not exactly a dignified episode for Picard, all told.

Riker: When Picard succeeds in evading Lwaxana, Riker finds that the older woman's sights have now fallen on him. He seems to actually find it rather amusing. He stops Troi from immediately setting her mother straight, instead preferring to let the captain deal with it.

Troi: Though she denies any ongoing relationship with Riker, she does become deeply upset when Lwaxana turns her focus to him. When Riker stops her from confronting her mother, she grumps at him that he's a "coward," acting for all the world like a jealous girlfriend. Marina Sirtis actually isn't bad at the comedy acting, and might even be good here if any of the material was at all amusing.


SHUT UP, WESLEY!

Wesley manages to offend Worf, first by passive-aggressively contradicting Worf's admiration of the Antedeans, then by admitting that he initially found Worf to be alien and ugly as well. Attempting to ingratiate himself, Wesley manages to dig himself in deeper when he tells Worf that he now thinks the security chief is "kind of handsome, for a Klingon." Worf shows admirable self-restraint in not demonstrating his warrior skills to Wesley first-hand.


THOUGHTS

Though I found the first Lwaxana episode to be enjoyable, lightweight fare, I found very little to enjoy in Manhunt. This is a deeply tedious episode, a series of sitcom-level set pieces that require our regular and recurring characters to alternate between stupidity and spinelessness in order to keep the "story" alive.

Much of the basic set-up here, with Lwaxana setting her sights on one of the regulars and chasing after him like Pepe LePew going after that white-striped cat, was recycled into The Forsaken for the first season of Deep Space 9. Even in The Forsaken, the notion of seeing one of our regulars being sexually harrassed as comedy fodder seemed dubious (how funny would anyone find it if Lwaxana was a man chasing after female regulars?). But there, the sitcom humor quickly gave way to some interesting character work.

Manhunt has no interest in character work. Lwaxana is one-dimensional in every scene, and shows no additional shading by the end of the episode. Also, for a well-travelled ambassador, she apparently has never heard of a holodeck (presented by this show as fairly standard technology) - or else the production team fell so in love with one fairly leaden gag that they didn't care about making her an imbecile for the sake of the joke.

Carel Struycken is still amusing, reprising his role as Lwaxana's giant manservant. But this episode is just a chore to get through. It starts out unpromising, and just gets worse and worse as it goes. Not quite down there with Loud as a Whisper or Too Short a Season - but just because it's slightly less awful than the very worst episodes of the series, that doesn't save it from being awful.


Rating: 2/10.

Previous Episode: Up the Long Ladder
Next Episode: The Emissary

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Sunday, September 12, 2010

1-12. The Big Goodbye

THE PLOT

The Enterprise is proceeding to a rendezvous with an insect-like alien species who have a very complex language, and who insist on an elaborate greeting in their own language. If the greeting, which must be delivered by Picard, is off in the slightest syllable, the aliens will become massively offended - which, when it happened the last time, resulted in a 20-year rift. Why the Federation is eager to make contact with such an annoying species is only vaguely alluded to. Personally, I quickly found myself wanting to see this insect-like race make first contact with the Klingons. Such a scene would be brief, but very satisfying.

In any case, Picard is over-preparing. On Counsellor Troi's recommendation, he takes a break to try out the new holodeck upgrade, using his personal program - a program modelled after 1930's/'40's pulp detective character Dixon Hill (think Sam Spade, only pulpier). Picard is awed by the realism of the program, so much so that his enthusiasm gets the ship's historian, Dr. Crusher, and Data all going along with him on his next trip. But a probe causes a malfunction in the program. Now the fantasy has become a potentially deadly reality, with no apparent way to stop the program, and no way for the Enterprise crew to access it to get Picard and his companions out again!


CHARACTERS

Capt. Picard: Probably the best episode yet for Patrick Stewart, who is very much front-and-center throughout the episode. A relief, after too many episodes with Picard essentially stuck in the background of his own show. Stewart is always good, but he raises his game here. Picard's joy and wonder at the realistic recreation of 1941 is evident in Stewart's face, and you can see him even enjoying the intellectual curiosity of being grilled by the police. His attempts to reason with the villainous yet philosophical Cyrus Redblock (Lawrence Tierney) are well-portrayed, and the hesitant honesty with which he answers Dixon's police friend's final question is a lovely moment - one of two moments I actually remembered from my late 1980's viewing of this episode.

Riker: While Picard, and to a lesser extend Dr. Crusher and Data, get all the "fun" material in the episode, Riker is left to carry the MacGuffin of dealing with the annoying aliens. After a couple of weak showings, Jonathan Frakes is on solid form again here. Mind you, most of what he has to do is convey exposition, but he does so with a reasonable degree of conviction.

Dr. Crusher: Gates McFadden looks lovely in her period dress, and gets to show a bit of leg - never a bad thing. Prior to that, there's a very nice character moment when Picard, carried away by enthusiasm over the realism of the holodeck program, invites her to come with him. She accepts eagerly... only for her face to fall in disappointment as Picard natters on about inviting a historian to accompany them. Clearly, she saw his invitation as a long-overdue date, and in his enthusiasm, Picard was woefully oblivious. An easy bit for almost anyone over the age of about 16 to relate to. Best of all, it's a completely offhand bit that takes all of about 3 seconds' screentime, doesn't slow the episode a jot, and yet shows so much about the characters.

Data: As much as I've enjoyed Brent Spiner's performances, including much of his performance here, I did find Data's attempts to "put on" a Bogie-like accent a bit irritating. When Picard cut off Data's "Sam Spade" narration at the end, I was quite grateful. To a degree, it works with the character. Data is so desperate to be human and fit in on this jaunt that he overdoes it and becomes irritating. But as ever, Spiner is at his best when Data is simply being Data, particularly when he pauses to ask the captain's permission before punching out a thug at one point.


BRATS IN SPAAACE!

With Geordi and other presumably capable engineers working on the holodeck problem, it is of course Wesley the Wonderful who has been studying the holodeck specifications, and who figures out the problem and how to fix it. In absolute fairness to Wil Wheaton and the role he plays, Wesley is tolerable in this episode. He's actually amusing in the briefing room scene (let me stress, in case I haven't made it clear to this point, that Wheaton is not a bad actor, he just got stuck with a really bad role), and his later scenes are brief enough that his presence doesn't actually annoy.


THOUGHTS

The first-ever Holodeck episode (and also the first-ever "holodeck goes wrong" episode). By the time TNG ended, I came to dread most of the holodeck episodes. The thing was always going disastrously wrong, and at a certain point I wondered why they didn't just decommission this hideously buggy, obviously horribly dangerous device. But because it is the first time they've done it, the concept is fresh here. It's as much a vacation for the show to do a riff on 1940's film noir as it is for Picard and company to enjoy wandering through it. The actors seem to be having a good time breaking away from their usual characters, and the fun is infectious.

The production values are lovely. It's all studio-bound, of course. But even the exterior street sets are convincingly rendered, and the main sets - Dixon's office and the police station - would look quite respectable in a 1940's-set movie or television series.

The script plays cleverly with the Maltese Falcon template. Screen veteran Lawrence Tierney, who's given priceless performances in films both bad (Tough Guys Don't Dance) and good (Reservoir Dogs) is in his element playing the philosophical, Sidney Greenstreet-styled heavy. He enters the proceedings fairly late, and probably only has a little over 10 minutes' total screentime. But he dominates from the instant he walks into Dixon's office, creating a character who is simultaneously a walking cliche and yet still a formidable enough one to be a worthy adversary for Picard. Harvey Jason also does a reasonable Peter Lorre, wisely not going too far in trying to mimic Lorre.

It falls down a bit if you spend too much time thinking about the Enterprise's all-important contact with the MacGuffians. After all that fuss, the entire contact lasts about 30 seconds! It hardly seems to have been worth the bother.  And I still want to see the Annoying Aliens of the Week pull their crap on the Klingons or the Cardassians or some other aggressive race similarly unlikely to put up with it.

But given that whole subplot really only exists to create some urgency for the main plot, and to give the other regulars something to do, such concerns really don't intrude on the enjoyment of this little gem. I'd still rank Where No One Has Gone Before as the best TNG episode up to this point. But this one wins the title of "Most Purely Entertaining."


Rating: 8/10.

Previous Episode: Haven
Next Episode: Datalore


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